In my previous post, I considered what might happen if Donald Trump failed to concede defeat should he lose his bid for re-election in November of 2020. How likely is such a scenario?
Continue reading “Will The Thing Leave?”The Thing That Wouldn’t Leave?
On his HBO show, Real Time, comedian Bill Maher has repeatedly asked his interview guests about the possibility that, should he lose his bid for re-election in 2020, Donald Trump might refuse to step down as President. By and large, his guests have tended to pooh-pooh the idea as alarmist or paranoid. MSNBC’s Lawrence O’Donnell, Jr assured Maher that there are institutions that would take care of such an eventuality and forcibly usher the vanquished former president out of the building.
I have to say, and this isn’t often the case, but I’m with Maher on this one, in that I don’t find such reassurances to be, well, reassuring. There may be institutions with that purpose, but exactly how much exercise have they gotten in the last 200-plus years? Is there really a playbook in case a defeated president refuses to relinquish power?
Continue reading “The Thing That Wouldn’t Leave?”Based On A True? Story
What responsibility does a filmmaker have when making a film that claims to be “based on a true story” or “inspired by actual events” (or whatever weasel words they use to warn us that they’re making some of this shit up)?
Continue reading “Based On A True? Story”Los Angeles’ Billion Dollar Orphans
I’m willing to bet good money that most of the people who are aware that the Chargers NFL franchise plays their home games in Los Angeles do not reside in the City of Angels but in their former home of San Diego, where the heartbroken local football fans are painfully aware that they no longer have a home team.
Continue reading “Los Angeles’ Billion Dollar Orphans”Hollywood and Digital Frankenstein
Since the release of TRON: Legacy, the 2010 sequel to the 1982 pioneer in computer-generated filmmaking, there has been an ominous specter lurking on the horizon. That film featured a digital version of 1982-era Jeff Bridges, and it was unconvincing in a way that audiences found off-putting. Even with the relatively unsuccessful effort to digitally recreate a realistic human, many people saw the handwriting on the wall. As technology advanced, someday it would be possible to convincingly recreate a realistic human character with CGI.
Continue reading “Hollywood and Digital Frankenstein”